Billy Strings and Bryan Sutton Evoke Legend of Doc Watson on New Song

David Bowie’s Childhood Home to be Public Historical Site, New Interview with Rhett Miller

January 9, 2026

WATCH

After previewing the arrival of a new song earlier this week, Bryan Sutton and Billy Strings’ latest effort has culminated in “The Devil Went Down to Deep Gap,” a collision of acoustic and electric guitar and a brash departure from the duets that make up Sutton’s ongoing From Roots to Branches series. Today’s release builds on the Charlie Daniels Band’s original, creating a fictional narrative that shifts the instrumental focus from fiddle to guitar in a massive face-off, telling the story of Arthel Watson’s takedown of Lucifer, and an act that earned him the name “Doc.”

NEWS

David Bowie’s fans will soon have an opportunity to immerse themselves in the beginnings of his creative life. Yesterday, Jan. 8, the Heritage of London Trust announced that Bowie’s childhood home at 4 Plaistow Grove in Bromley, Kent, will be restored and opened to the public in 2027, Variety reported. The classic railway workers’ cottage will recreate the context of the artist’s childhood and creative awakening as a historically-informed exhibition, while simultaneously serving as a creative center for young people.

ALL YOU NEED IS GEORGE, Jackie Greene, Steve Kimock, Reed Mathis, Berry Oakley, Pete Lavezzoli & Gil Assayas, celebrate The Music of George Harrison - from The Beatles, through his astonishing solo work, The Traveling Wilburys, and much more, with 19 tour dates surrounding his February 25 birthday.

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FEATURE

Rhett Miller is taking in a beautiful, mid-September Sunday morning at his home in New York’s Hudson Valley. It’s a sunny time for the veteran singer-songwriter and guitarist, just a few weeks out from the release of his 10th solo album, A lifetime of riding by night, and a corresponding tour in support. Yet, Miller is also just two years removed from one of the darkest and most fretful periods of his nearly four-decade career when, literally, he was losing his voice.

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The 12th print (February 20, 1971) of Grateful Dead at The Capitol Theatre, 1970-1971, an archival collection of 18 posters commemorating the 18 remarkable performances by the Grateful Dead at The Capitol Theatre in Port Chester, New York in the early 1970s.

NEWS

Chris Stapleton is hitting the road in 2026 with an all-star cast of collaborators. This spring and summer, the country icon will enlist an all-star cast of 11 rotating special guests to extend the All-American Road Show program that’s brought top-tier split bills to stadiums across the country since 2017. This year’s run comprises 24 stops in the East Coast, Northwest and Midwest regions, featuring support from Allen Stone, Ashley McBryde, Carter Faith, Grace Potter, Lainey Wilson, Maggie Rose, Mike Campbell & The Dirty Knobs, Molly Tuttle, Nikki Lane, The Teskey Brothers and Zach Top.

RECAP

Last night, Jeff Tweedy concluded his time in Los Angeles, adding a period to a sentence that spanned four live performances at Largo at the Coronet. The evocative wordsmith’s residency was billed as a solo run tied to his latest studio work, the triple album Twilight Override. Like previous shows tied to this residency, the impetus of the experience was the arrival of Tweedy’s sons and collaborators, Spencer and Sammy, who expanded their stage time by sitting in on nearly half of the set.

NEWS

Dead of Summer Festival has outlined its next gathering, slated for July 9-12, 2026, at Hunter Park in Manchester, Vt. The impending artist lineup offers a diverse mix of entertainment, rooted in the jamband canon and Grateful Dead tributes. This year’s roster is helmed by first row acts: God Street Wine, Pink Talking Fish Are Dead Ensemble, and Leftover Salmon.

NEWS

On Friday, January 30, Kyle Hollingsworth invites folks to “Come Join the Carnival!” The event will take place at Cervantes’ Master Ballroom in Denver, and is built around the release of the keyboardist’s latest solo endeavor, All We Are, a 10-track album that arrived on August 1.

REVIEW

It’s nearly impossible to imagine now, but there really was a time—beginning in the mid-‘60s and lasting not nearly long enough—when it seemed that every city harboring a significant population of groovy young people (OK, let’s call them hippies) housed at least one club-sized space where major rock bands, or those about to be, blew minds on a nightly basis.